Status Quo Ante
I had a dream where from an impossible height I took in all the splendor and all the pain we’ve learned to live with.
I had a dream where from an impossible height I took in all the splendor and all the pain we’ve learned to live with.
What is left after the groceries are put away? Dishes on the drying rack, nothing to clean: all is as it should be, or so they say.
I see no headstones, nothing to mark a life, to reveal who the corpse belonged to. Was it held hostage, a bouquet torn from the branch bleeding into its vase?
In this white-capped wind / a kite can fly a lifetime / never touching earth
Sometimes, taking a break from the news and work, I’ll spot the collected works of this or that poet and, for a moment, have context for despair.
On a drizzly morning walk I stopped to let a hearse go by, its pitch-black paint sweating polish, and as I waited for the procession I thought about who profits from tragedy, the business of loss, and who profits no matter what,
In Xinjiang, 7,000-miles away, a morning sun, reflecting off the glasses of early risers, the windshields of commuters, is so bright as to redact last night’s graffiti: Down with Xi.
If life is a lucid dream or some near-perfect computer simulation, do I risk waking up to a world in which I can’t embrace you?
Humanity risks extinction because we love the wrong things too much. I am under no illusions. To love you is to resist oblivion, to laugh at craters.
I want to touch what aches in us, the light we guard to stay alive. My dear, come quick. I hear a knock; I’m afraid. Is it you? I dare to open and let hope come through.
I have lived as free as a fragrance on the wind, as shackled to the earth as the vine that produced it. May I confess in a poem what is forbidden us in prose?
In the creak and give of floorboards, hollow of trees felled by storms, fists of despots, palms of departing lovers, click of deadbolts, swing of doors;